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Winner of the Thom Gunn Award for Gay Poetry The poems of Company navigate misperception, memory, and threat while engaging with an electrifying sense of possibility: "What I want is you to seewhat is backlit, behind me.Not the silhouette--but the negative spaceI make blocking light."Ross's book is sensual, political, ghostly, and frank; what a close friend or beguiling stranger might whisper in your ear in the corner of a crowded party to make you say, "Tell me more."
I don't know much about poetry but boy do I like this book. Ross turns quiet sexy, stillness to motion; the ocean to sea and back. The last line of Exchange beautifully wrong-foots me every time. The first line of Novembered rings like the beginning of some fine ass fiction--but it goes some place way more interesting and with better music.Needless to say, Ross is working with a lot here. I love particularly what he renders from the harsher materials of life: blood & rocks & bones & salt. Stuff like that. It's hard-edged but also lovely and touching and accessible to someone like me who doesn't read much poetry on a normal weekend. Read this book.